rowyn: (current)
My reading rate has slowed down considerably since my initial plunge: back into books: it's been two and a half weeks since my last review. And I keep having to renew the books I already have out from the library.

I have actually read two books since my last review -- two more of the Aubrey/Maturin novels. I didn't write about The Fortune of War at first in part because I plunged right into the next, and in part because there's not a lot to be said for these that doesn't spoil earlier books. Still, I want to note that I finished them, and that they are solid installments in the series. Certain things in each were sad-but-inevitable, and other turns quite surprised me. Particularly the end of The Surgeon's Mate. (!)

I have five books left out from the library. Two are the final installments of Mira Grant's Newsflesh series, and I'm not sure I'm going to read those -- I checked them out so Lut could read them. I'm sure they're good, but I dunno that I need more depressing stories.

Right now, though, I'm gonna start the next Aubrey/Maturin. Because that's the one I have with me. Also, when I finish this one I can finally return this tome that has the Aubrey/Maturin books 5-8 in it.

NOTE: Spoilers in comments on this post. :)

rowyn: (Default)
I’m thinking of clocking back in because my mind feels blank…empty of anything to say or do. To write. Isn’t that what I do?

I read an article on James Patterson, a bestselling thriller author. He writes formula thrillers based on what elements are marketable to the sector he’s targeting. I’m not saying that to be insulting—that’s what he says about himself, basically. He’s also heavy into the marketing and promotion of his books. I find him curiously admirable and oddly appalling. Mostly, though, admirable, I guess. He decided what he wanted to be -- a bestselling author -- and then he went about doing whatever it took to make that happen, based on his prior marketing expertise. Good for him.

But he’s almost exactly the kind of author I don’t want to be. I don’t know. Tool sang, “I sold out before you ever heard my name/ I sold my soul to make a record.” Maybe if I knew a winning formula, I wouldn’t be ashamed to apply it. Maybe I would be.

I talked to Glen Cook at a convention once, for a half hour or so. He writes science fiction and fantasy – quite a variety of both, in fact – but he’s best known for the Black Company books. There are, I don’t know, seven or eight of them now, maybe more. I read the first five or so, but they got too depressing for me. (And they were not cheerful upbeat stories to start with.) I told him about that, and that he seemed to be getting tired of writing them. He explained that, yes, he was, really. But his publisher would pay him a lot of money for a new Black Company book And not very much at all for a book on some brand-new subject. People loved the Black Company novels. They wanted to read more about them. Did he really want to spend six month or a year working on something new, that maybe only a few people would read, that wouldn’t earn him much money? Just because he thought it was a good idea? Or did he want to give everyone what they were asking him for: another Black Company book?

It seemed terribly unfair.

I have no idea what I’m doing.
rowyn: (Default)
I have a game tonight, so I have to write about that. I’m more tempted to write about the WSJ article I just read, or the book I just bought because of it. But…Well, what the heck, I can write about Rasheeka later. I want to get this down.

The column was by Russell Roberts, author of, among other works, The Invisible Heart. He was writing about a recent move on the part of the Author’s Guild to lambast Amazon.com for, of all things, selling used books. Why? Because authors don’t get royalties on used books.

Of course, used books have been available in used bookstores and libraries, where authors also do not get royalties-per-read, for centuries, and not noticeably to the detriment of authors. Mr. Roberts wrote his column better than I can, however; I’d link to it, but the WSJ’s site is subscription-only. Well, I’ll link to it anyway. You can get two weeks free if you feel like signing up. :) To summarize, his point is: “I am an author, and I am darned happy if people read my book at all, by any method, so by all means, please feel free to check ‘em out of the library or buy one used at Amazon.com or however else you want to get your hands on it. Thank you.” Before he got to this part, there was much heavy-handed sarcasm on other avenues the Author’s Guild might want to crack down upon.

I thought it was a charming sentiment. So I went to Amazon.com and looked for the book the byline mentioned for Mr. Roberts. Then I read the first chapter--much to my surprise, it appeared to be a work of fiction about two high school teachers, one in economics and the other in literature. It looked entertaining. So I bought it. I was going to follow up with an email to Mr. Roberts, because the whole scenario seemed so deliciously just, but I couldn’t find an email address for him on the WSJ’s web page. Maybe I’ll just send a letter-to-the-editor on it instead, and hope the story wends its way back to him.

And now…I’ll get started on that Rasheeka stuff.

July 2025

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