2022 Illustration Retrospective
Jan. 20th, 2023 07:30 pmI created more color images in 2022 than perhaps at any other point in my life. This was mostly the product of CuratorPrompts combined with my decision to start doing full-color sketches. Prior to 2022, my process went:
- Draw some sketches
- If motivated, start to shade and/or color the sketch
- Probably give up at the above step
- In the event that I didn’t give up, I would spend hours over the course of days/weeks/months completing the image, depending on the complexity. Digital sketches have carefully-labeled layers.
The Demon’s Alliance cover followed this process. I sketched it first, then did grayscale shading using ArtRage’s ‘pastel’ tool. Next, I used ArtRage’s colorization option to add color to the layers, and did final touch-ups in color. I started the image in January and finished it in April.
cover for Demon’s Alliance. January-April 2022.
In May of 2022, I started doing mastodon.art’s CuratorPrompts. At first, I only did 2 minute sketches. But from the outset, I sketched in full color. Almost always, I was trying to capture the sense of the composition of the photograph rather than render the proportions or details of the image accurately.
my favorite 2-minute sketch, May 2022.
The two-minute sketches were digital, on a single layer -- with so little time, it wasn’t worth adding layers.
After several days, I started spending more time on the prompts. I’d do one long study and the other three prompts would be 2-5 minutes as warm-up.
an 85-minute sketch. June 2022
The “long studies” were more like paintings than sketches, but still comparatively quick. One of the advantages to intending each picture to be (a) quick and (b) practice was that I didn’t have much investment in any one painting. When I got bored or frustrated or thought ‘eh, it’s not getting any better than this’, I’d declare it done, post it, and move on to a new painting the next day.
I seldom used pencil sketches with these pictures. I’d start off in color, and my initial brushstrokes were generally part of the final picture. I added layers freely and didn’t bother labeling them, because I didn’t plan on working on the picture for long. If I needed to edit a layer, I could usually tell which one via the preview. Often, adding a new layer worked just as well for finishing the picture as making sure all of [whatever] was on the same layer. I also started using the oil paint tool more, although my trees were generally rendered with the ‘leaf’ tool, and I used the fur and hair tools for some images.
66 minute sketch from June 23. I used the same photo reference later, when painting the cover for Angel’s Grace
Mastodon.art’s Curator posted some fabric and hand images for studies as well, and I did some of those in late June and July. These were not quick. I spent a few hours on each, trying to make them realistic, and they had pencil sketches before I did coloring.
at small size, this looks pretty convincing. June 2022
I tried to paint this photo three different times. On the last attempt, I resorted to a grid to get the perspective right. July 2022.
A twitter prompt in January to draw “The Mind Horse” reminded me how much I enjoy drawing horses. I did a number of horse and unicorn pictures during the year. This one, from July, is my favorite of the lot.
based on a reference image from Pixabay.com. July 2022.
By mid-July, I was bored of just painting references. I started to add fantasy elements to my renditions of reference images.
the fearsome Hummingbird Warrior. August 2022
In August, I stopped doing CuratorPrompts pictures every day, although I would continue to paint a few every month for the rest of the year. I continued to paint from references. The photo reference for the image below came from a search on Pexels.com for Niagara Falls, although amusingly it is not a photo of Niagara Falls. One of my two favorite paintings of the year.
emergency responder dragons are here to help. August 2022
The next painting was also from August 2022, and combined reference photos by Adorkastock with images from Pexels and Pixabay of the ocean and of butterfly wings. My other favorite of the year.
Whispers Rain, from The Moon Etherium and The Twilight Etherium. August 2022.
In September, I spent 10+ hours working on an ambitious painting of the Crow Lord from my work-in-progress, A Dragonling’s Family.
The Crow Lord painting relied more on my old techniques. I started with a pencil-tool sketch, then used the ink and airbrush tools heavily for coloring it. I kept working and working on it, rather than spending a few hours total and calling it good enough.
Crow Lord and frens. September 2022
One of my Fediverse friends, Veo Corva, commented that they enjoyed my CuratorPrompts + dragons pictures, so I did an Oops All Dragons edition for them in October:
spent two and a half hours on the dragon-in-forest for this one, and an hour on each of the other three. October 2022
From October through December, I worked on the cover for Angel’s Grace.
Angel’s Grace wrap cover. Right half used a photograph of Mexico City from Pexels.com as inspiration. October-December 2022
I did a few other pictures in December, but my focus that month was on editing and publishing Angel’s Grace.
I made a retrospective-by-month image with a few of the same pictures as above, but mostly different ones, because “what I worked on during this specific month” didn’t correspond all that well with “what were my favorite pictures this year?”
I am pleased by the amount of time I devoted to painting in 2022: 159 hours. Moreover, it’s the most time I’ve devoted in the last 30 years to practicing illustration -- studying references and trying new things and attempting to improve. I spent a lot of time in 2016 drawing, too, but those were “churn out specific illustration for A Rational Arrangement” rather than “get better at illustrating.”
I am not sure how much I really did improve. I used photo references for both the Demon’s Alliance and Angel’s Grace covers, and I like the latter illustration much better than the former. So that’s one data point suggesting Actual Improvement happened? But it’s hard for me to compare. Maybe at some point I will try re-doing one of my older pictures and see if I can make a fair comparison. The challenge there is that I don’t have many full-color pictures from when I was younger, and I can’t think of anything I still have that I like enough to try to do again.