Finishing things
Sep. 25th, 2003 01:21 pmWhen I look back at my past writings, I invariably see a long legacy of unfinished tales. Whether my original story concept was to write something short, or long, or whether I had no idea where I was going at all, I've got a huge body of fragments, bits and pieces without end, or beginning, or middle.
My typical take on this is that this represents some kind of personal failing on my part. If I were more disciplined/talented/creative/whatever, then instead of writing dozens of fragments, I'd've (yes, that's a real contraction!) written a book or three and some complete short stories. Instead, all I've got are ... fragments.
Except that's not quite true. In fact, I've written at least seven complete short stories -- ten or eleven if I want to throw in a few that are more-or-less standalone, but really intended as part of a larger work.
But seven -- indisputably, at the very least, seven -- that are entirely self-contained; that begin and end and are, in every proper sense, complete.
Seven.
All right, that's not all that many given (a) how long I've been writing and (b) how many things I've started. But seven is still a much larger number than zero. I've been talking about this a bit with Level Head, who has been telling me -- though in the kindest, gentlest possible way -- "Will you please SHUT UP about not being able to finish things, because that's NOT TRUE?" And, it's finally sinking into to my thick skull that, hmm, maybe he has a point.
And moreover: what does "how many things I've started" have to do with it at all? Why do I think of unfinished stories as somehow a negative on the ledger sheet, overbalancing the finished ones?
Let's take another example: art.
Now, as many stories I've started and abandoned, the number of drawings I've started has got to dwarf it by at least a few orders of magnitude. I have sketchbooks stuffed with doodles. I've got inked images with no backgrounds, paintings that I stopped half-way through, digital drawings I quit on -- why, just the other night I started painting a sleeve for practice on clothing, and I'll probably never get around to painting the rest of the figure. I've got oodles of incomplete art. Most of it that even I don't like.
Yet I can't remember ever looking at all the drawings and paintings and sketches and inkings I've done, and thinking "I never finish anything when it comes to drawing." Sometimes I look with pleasure on the ones that got to whatever stage they got to, and sometimes I just look at the handful of paintings I did finish. And think "Hey, that's not bad."
Or I cringe. But I sure don't sit there thinking, "Completing three oil paintings doesn't count, because it's outweighed by the thirty thousand sketches that I never made oil paintings of."
Goodness! That would be insane. All those drawings are practice. I couldn't learn how to finish a piece of art without practicing first. And it's not as though any finished work I did would've been much good without practice.
So why don't I see all those unfinished tales as practice, too?
My typical take on this is that this represents some kind of personal failing on my part. If I were more disciplined/talented/creative/whatever, then instead of writing dozens of fragments, I'd've (yes, that's a real contraction!) written a book or three and some complete short stories. Instead, all I've got are ... fragments.
Except that's not quite true. In fact, I've written at least seven complete short stories -- ten or eleven if I want to throw in a few that are more-or-less standalone, but really intended as part of a larger work.
But seven -- indisputably, at the very least, seven -- that are entirely self-contained; that begin and end and are, in every proper sense, complete.
Seven.
All right, that's not all that many given (a) how long I've been writing and (b) how many things I've started. But seven is still a much larger number than zero. I've been talking about this a bit with Level Head, who has been telling me -- though in the kindest, gentlest possible way -- "Will you please SHUT UP about not being able to finish things, because that's NOT TRUE?" And, it's finally sinking into to my thick skull that, hmm, maybe he has a point.
And moreover: what does "how many things I've started" have to do with it at all? Why do I think of unfinished stories as somehow a negative on the ledger sheet, overbalancing the finished ones?
Let's take another example: art.
Now, as many stories I've started and abandoned, the number of drawings I've started has got to dwarf it by at least a few orders of magnitude. I have sketchbooks stuffed with doodles. I've got inked images with no backgrounds, paintings that I stopped half-way through, digital drawings I quit on -- why, just the other night I started painting a sleeve for practice on clothing, and I'll probably never get around to painting the rest of the figure. I've got oodles of incomplete art. Most of it that even I don't like.
Yet I can't remember ever looking at all the drawings and paintings and sketches and inkings I've done, and thinking "I never finish anything when it comes to drawing." Sometimes I look with pleasure on the ones that got to whatever stage they got to, and sometimes I just look at the handful of paintings I did finish. And think "Hey, that's not bad."
Or I cringe. But I sure don't sit there thinking, "Completing three oil paintings doesn't count, because it's outweighed by the thirty thousand sketches that I never made oil paintings of."
Goodness! That would be insane. All those drawings are practice. I couldn't learn how to finish a piece of art without practicing first. And it's not as though any finished work I did would've been much good without practice.
So why don't I see all those unfinished tales as practice, too?
no subject
Date: 2003-09-25 12:26 pm (UTC)I'm fairly sure I have more unfinished projects, more ideas that I took a step toward doing, then gave up on the way ... than finished, accomplished projects.
But anyway, that's really beside the point I'd like to make: I enjoy your unfinished stories. Sure, I'd love to see them finished. But every time I see another little nugget from you - that's one of the highlights of my time on the computer. When I check email, getting a Prophecy segment from you is definitely in the Top Ten of Things I'd Like to Get in Today's Email - even if I don't get to it immediately. When I check LJ, right on top of my list would be "Hope to Find a New Post from Gwendelkitty", "Hope to Find a New Story Segment from Rowyn" and "Hope to Find Some Comments On Whatever I Last Wrote/Drew".
Now, maybe I'm biased because, after all, I know you a lot more than I do a lot of other folks, so there's a personal spin when I see something written by you: this is something written by somebody I know, and with whom I can discuss my opinions. That does play into it. But it's also because I think your stories are good. I think they're enjoyable. And I've got a good hunch that my opinion wouldn't be a fluke, if only your work could reach a wider audience.
Maybe you're not "there" quite yet - maybe Prophecy isn't done, Silver Scales is sort of in limbo, and so forth ... but, goodness, the getting there is very cool. =)
no subject
Date: 2003-09-26 07:34 am (UTC)Maybe you're not "there" quite yet - maybe Prophecy isn't done, Silver Scales is sort of in limbo, and so forth ... but, goodness, the getting there is very cool. =)
Thank you, Greywolf. It's good to enjoy the journey; sometimes that's all we get. :)