rowyn: (Me 2012)
[personal profile] rowyn
I am thinking about the buying habits of readers, and trying to subdivide them into several categories, in relation to a single author's works:

* Character fan. Follows the books about one character/group of characters, may not read other books by same author.
* Setting fan. Follows the books in a particular setting. May not read other books by same author.
* Story arc fan: Reader will follow the story arc through a trilogy or series, but may not read more books in a new story arc about the same characters/setting.
* Genre fan. Reads author's works in a particular genre, but not in other genres.
* Theme/review based. Readers who pick up the author's works based on theme, or reviews. This group has tastes with regards to the author that are harder to slot into the usual groups, and the author's works sometimes suit those tastes and sometimes don't.
* Former fan: Reader followed one of the patterns above, but for one reason or another stopped. "Former fans" aren't necessarily people who stopped reading an author entirely. They might be people who bought the first five books of a ten+ book series, and then lost interest in that series but are still interested in one or more other works by the same author.
* Author fan. Reads everything the author writes, regardless.
* Casual. Picked up one book, may or may not ever get another by that author.
* Other

I don't mean for these categories to be "each person is one of these types of readers". I came up with these categories because they are all groups that I fall into for different authors.

Examples where I am:

Character Fan: P. B. O'Brian's Aubrey/Maturin books, Jim Hines' Libriomancer books.

Setting Fan: K.J. Charles, "Charm of Magpies" setting.

Author Fan: Diana Wynne Jones, Lois McMaster Bujold, Bard Bloom, Terry Pratchett, Brandon Sanderson

Story Arc Fan: J.K. Rowling's 7-book "Harry Potter" series.

Theme Fan: MCA Hogarth, Walter Jon Williams

Casual: Neil Gaiman (I started reading Neil Gaiman's Sandman in 1990 or so, and I've read at least three of his other books and a few short stories. I really liked Sandman at the time, but somehow none of his books that I tried have made me a fan of his non-comics work. I don't hate them, just not that into him.) 

Other: Courtney Milan. I've read eight or so novels/novellas by her, and I expect to read more. But she has a bunch of books out that I haven't yet bought or read, and I don't have any plans to go get more.

Former Fan: These are all cases where I read at least three books but stopped, even though more have come out:

Setting
George R.R. Martin: Wildcards

Story Arc:
George R.R. Martin: Song of Ice and Fire

Character:
David Weber: Honor Harrington
L. K. Hamilton: Anita Blake

Author:
Anne McCaffrey
Piers Anthony (I was young and foolish. Seriously, he really does think like a teenager and anecdotal evidence shows he is inexplicably appealling to kids between 10-17 or so, then they grow up and can't really remember why. If you're one of those people who still has nostalgic fondness for one of his books, DO NOT GO BACK AND READ IT. You will have regrets.)

In a lot of these cases, it's hard to pin down why my reading habits are the way they are. I liked  Charles' first three "Magpies" books and adored the spinoff, Jackdaw, but haven't sought out any of her other books in different series anyway.

In some cases, it was series fatigue: I stopped reading new Pern books long before I stopped reading McCaffrey entirely. I think that "historical romance fatigue" may be why I haven't read more books Courtney Milan. I liked the last historical romance I read by her, but I had a strange sense of 'sameness' while reading it that made me not want to get another one. I don't regard that as a "former fan" scenario because I'm pretty sure I will read more of her work in coming years.

Part of why I'm thinking about this is that it's so complicated. The "thousand true fans" theory hinges on the idea that you can hook people on your name, and they'll buy whatever you write. The "series sell" strategy hinges on "readers become hooked on a character or setting, and they won't necessarily read works with a different theme". And yet I know in my own experience that there are cases where I've read several books in a series and then quit that series -- but will still read other works by that author. As well as cases where I read a series but not other works by that author. OTOH, the "series sells" philosophy obviously works for most of the market, if not for me. Hamilton and Weber are very successful, 20+ books on in their series. And I've spoken to authors who kept writing in a successful series for the money, and yes, it worked for them better than branching out did. Even though they were sick of writing that series.

I don't really have any conclusions from this, just musings and questions. Do you have any categories I missed? Do you find yourself more likely to fall into a particular pattern with most authors, or does it vary wildly for you too?

Date: 2016-03-08 07:23 pm (UTC)
archangelbeth: An egyptian-inspired eye, centered between feathered wings. (Default)
From: [personal profile] archangelbeth
"Theme/review based" can overlap with "series fan" (which is a combo of setting fan and character fan, I think? E.g., Cherryh's Foreigner series, or possibly Bujold's Vorkosiverse, where we love Miles but we'll read non-Miles books too, but Miles was kind of the "hook") -- sometimes a particular character/setting "clicks" and sometimes not. E.g., I can take or leave a lot of Cherryh's stuff, but I will follow the Adventures Of Bren And Associates till the end of days, and I love the hani of Pride of Chanur and sequels.

(The two Xanth books that I can pin down why I liked them are: Castle Roogna and the one with Mare Imbrium. Because I am a sucker for non-human characters, EVEN IF ONE IS A GIANT SPIDER AND I HATE BEING AROUND SPIDERS. *headdesk*)

Date: 2016-03-09 04:50 am (UTC)
archangelbeth: An egyptian-inspired eye, centered between feathered wings. (Default)
From: [personal profile] archangelbeth
I'm trying to think where Bujold's Vorkosiverse fits there. Mostly it's Miles, but it's also Cordelia for 3 books, and Ivan for one, and Ellie Quinn and Ethan of Athos, and the Quaddies. I don't really feel that it's got the flavor of the Discworld in the sense of setting? Maybe because the non-Miles books aren't always standalone... Shards of Honor/Barrayar are a duology, and Falling Free is a standalone, but while Ivan's book could stand alone, it's... so thoroughly enmeshed in... in Milesatude?

*flails*

(No, no, the Mallorean was the same story arc! It explicitly said it was a reprise, because of that prophecy thing doing a certain amount of "actually, you have to keep doing this till you get it right." Or something like that. I mostly just remember Velvet suborning that other fellow's snake and keeping it in her bodice. And Belgarion realizing that just because the prophecy said "one son" didn't mean that a bunch of little (dryad) daughters wasn't an option. And flying being like swimming -- you don't think about the depth of the water when you're only using the surface, or something. ...and actually rather a lot of tidbits from both books. >_> Not so much the Belgareth/Polgara books, though, because those were getting a little....... ehhhh.)

Date: 2016-03-09 05:10 pm (UTC)
marycatelli: (A Birthday)
From: [personal profile] marycatelli
The Barrayar setting books are much more intermeshed than the Discworld ones are. Incidents in one book have a lot more consequences in others than occur (or would be plausible) in Discworld

Date: 2016-03-09 09:48 pm (UTC)
archangelbeth: An anthropomorphic feline face, with feathered wing ears, and glasses, in shades of gray. (Glaseah Me!)
From: [personal profile] archangelbeth
Yeah, that's probably why I feel Barrayar/Vorkosiverse is more interwoven than Discworld, so am not quite comfortable with it being "setting" over "Series."

I suppose there's probably a vague category of "it doesn't feel like X, and it's all tied together, so..." O:>

Date: 2016-03-10 12:05 am (UTC)
marycatelli: (A Birthday)
From: [personal profile] marycatelli
Andre Norton's Witch World is a better example of "setting." It's one of two series where I don't recommend reading in order -- Discworld being the other.

Date: 2016-03-10 07:12 pm (UTC)
archangelbeth: An anthropomorphic feline face, with feathered wing ears, and glasses, in shades of gray. (Glaseah Me!)
From: [personal profile] archangelbeth
Oh, point, that. ...I don't think I've ever read the first Witch World books, but I am extremely fond of Year of the Unicorn despite the title's bait-and-switch. (SPOILER! THERE ARE NO UNICORNS IN THIS BOOK. If you are a pre-teen who is a unicorn fanatic, YOU WILL FIND NO UNICORNS. On the other hand, shapeshifters.)

Date: 2016-03-10 07:59 pm (UTC)
marycatelli: (A Birthday)
From: [personal profile] marycatelli
Yeah, it's the Year of the Unicorn the way we are in the Year of the Monkey right now.

Date: 2016-03-14 01:14 am (UTC)
archangelbeth: An egyptian-inspired eye, centered between feathered wings. (Default)
From: [personal profile] archangelbeth
Yeah, I think I finally figured that out. It was still SUCH a bait-and-switch when I picked it up.

Date: 2016-03-10 02:51 am (UTC)
From: [identity profile] ilcylic.livejournal.com
I would tend to call Barrayar as a "setting" more in this sense, and Discworld, frankly, as more like "a collection of settings, inside of another larger setting".

This is actually a pretty good example of a place where I'm more of a character fan than anything, I guess. Because I've read most (all?) of the Watch "Setting" books, and almost none of the other books in the series.

I guess for me, I'm pretty flexible with "setting". If an author has described enough of the universe that stories in other parts of it can even be imagined, it's a "setting". Heh.

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