My very first rejection letter!
How exciting!
"An Old-Fashioned Chat" got turned down by F&SF, in record time. I put it in the mail less than two weeks ago. Wow!
Now I have to decide who I'm going to send it to for rejection next. Hmm. Analog, I think; I haven't sent them anything yet. I'm glad "Chat" got rejected first; "She's Having a Baby" is quite short, and accordingly a little harder to find a market for. At 3,000 words, "Chat" ends up right in the middle of most magazines' "usual range" for story length.
The rejection letter was a bit less formal, and less form-letter-ish, than I expected. It was signed, for example (not stamped) by the editorial assistant, and it had the name of my story in it. Not that this is any more personal than a standard mass-mailing, but I expected, you know, a preprinted "Thank you for your submission. It does not suit our needs at this time" snatched from the stack and stuffed into an envelope. I guess they don't have the kind of volume of submissions that they need to be *that* impersonal.
I'm half-tempted to scan in the rejection to show. :) I'm really tempted to send a different story to F&SF, just to see if I get the same rejection letter.
I'll probably send F&SF another story anyway. "She's Having a Baby", when it gets rejected by Asimov's, maybe. Or if I ever do write something new, I'll send it. If Chang Juan gets her own short story, it'd be fantasy, so I'd likely send it to F&SF 'cause they're the only magazine I know offhand that publishes fantasy. :)
I wonder how long the process of being rejected will continue to amuse me? I have these two big boxes of 9x12 and 10x13 envelopes (for mailing submissions out flat -- the larger envelope so that I don't have to fold the smaller SASE). And a whole bunch of stamps. And I know what the postage cost for mailing "Chat" is ($1.06 for the mailer, $0.83 for the SASE). All I have to do is a new cover letter, mailing labels, and I'm set. I really should buy a new printer so I can do the mailing labels and cover letters at home.
I've been wanting to mail out another story anyway. And now I have one to send! :)
"An Old-Fashioned Chat" got turned down by F&SF, in record time. I put it in the mail less than two weeks ago. Wow!
Now I have to decide who I'm going to send it to for rejection next. Hmm. Analog, I think; I haven't sent them anything yet. I'm glad "Chat" got rejected first; "She's Having a Baby" is quite short, and accordingly a little harder to find a market for. At 3,000 words, "Chat" ends up right in the middle of most magazines' "usual range" for story length.
The rejection letter was a bit less formal, and less form-letter-ish, than I expected. It was signed, for example (not stamped) by the editorial assistant, and it had the name of my story in it. Not that this is any more personal than a standard mass-mailing, but I expected, you know, a preprinted "Thank you for your submission. It does not suit our needs at this time" snatched from the stack and stuffed into an envelope. I guess they don't have the kind of volume of submissions that they need to be *that* impersonal.
I'm half-tempted to scan in the rejection to show. :) I'm really tempted to send a different story to F&SF, just to see if I get the same rejection letter.
I'll probably send F&SF another story anyway. "She's Having a Baby", when it gets rejected by Asimov's, maybe. Or if I ever do write something new, I'll send it. If Chang Juan gets her own short story, it'd be fantasy, so I'd likely send it to F&SF 'cause they're the only magazine I know offhand that publishes fantasy. :)
I wonder how long the process of being rejected will continue to amuse me? I have these two big boxes of 9x12 and 10x13 envelopes (for mailing submissions out flat -- the larger envelope so that I don't have to fold the smaller SASE). And a whole bunch of stamps. And I know what the postage cost for mailing "Chat" is ($1.06 for the mailer, $0.83 for the SASE). All I have to do is a new cover letter, mailing labels, and I'm set. I really should buy a new printer so I can do the mailing labels and cover letters at home.
I've been wanting to mail out another story anyway. And now I have one to send! :)

no subject
One of these days I really must write another short story and kick it out the door!
no subject
no subject
no subject
It really doesn't bother me that the story got rejected. I think after my fifth or sixth rejection, I'll start to feel discouraged. But one? Nah. It's all still new and exciting. :)
What disappoints me much more is that I haven't written a new short story in the two weeks since I sent "Chat" and "Baby" out. I want to have all kinds of balls in the air, before I lose all my momentum in this and give up in disgust. Of course, I have been working on "Prophecy" and "Silver Scales", not to mention the Just Trust Me game, and .... uh ... maybe I should just cut myself some slack. :)
no subject
no subject
So I'm not discouraged yet. Now, once Analog, F&SF, and Asimov's have all rejected a couple of my stories, then I'll probably be discouraged. Which is not to say I'll give up. But I expect to be a bit disheartened by then.
no subject
Hey, you've got to start somewhere. :-)
no subject
no subject
I'm fussing with a World Tree story -- very much not Sythyry's -- and hoping to send it out. I seem incapable of writing short, though. Do you know what size of stories magazines are generally willing to tolerate?
no subject
no subject
no subject
The webzines (the ones that will pay you, anyway) seem more finicky about their upper bounds, probably because (a) longer=more expensive, and the webzines are more cash-strapped, plus (b) takes longer to read, and sinxe webzines take electronic submissions, they get a lot more of them than print magazines, I suspect.
no subject
Then again, I've never submitted anything for publication. It was always by accident for me.
no subject
Anyway, I will be happy to be surprised by Asimov's. But I'm not gonna be particularly surprised or disappointed if they turn me down. :)